What guitar does Tim Henson use in playing “Playing God”?

Tim Henson of the alternative metal band, Paramore, uses a Schecter guitar to play the song “Playing God”. He is seen playing this particular model in the music video for the track. It features an EMG 81 active humbucker pickup and is made from mahogany with a maple cap neck and rosewood fretboard. The bridge is equipped with TonePros locking tune-o-matic and string-thru tailpiece for added sustain.

Tim Henson: The Prodigy Guitarist

Tim Henson is a prodigy guitarist whose works are highly sought after. He has released numerous albums, including the widely acclaimed Playing God. This record features his signature guitar playing – and many have wondered what type of instrument he uses to achieve his unique sound.

In interviews, Tim has revealed that the primary guitar for this album was a Gibson Les Paul Custom with Lace Sensor pickups. The Lace Sensors provided him with an increased dynamic range that enabled him to hit some particularly high notes without any noise interference or issues with feedback. The humbuckers’ ability to deliver chunky rhythm tones gave extra punch to certain tracks on Playing God.

The bridge pickup in particular allowed Tim to experiment by combining chords and single note runs together seamlessly; it also helped provide more definition and clarity when soloing over riffs or chord changes within songs from the album. It is no wonder why so many fans have looked up what guitar does tim henson use for this release – as it truly gives each song its own unique character and charm.

A Deeper Look at “Playing God”

When Tim Henson of the band Paramore released their single “Playing God” in 2010, it quickly became a hit and started generating a great deal of buzz. At its core, this song is an intense rock jam and fans were eager to hear what kind of guitar was responsible for those driving riffs.

Upon further examination, the guitar used by Henson during the recording sessions of “Playing God” is indeed very special. In fact, it has become something of a signature instrument for him ever since. It’s a Fender Jazzmaster with some distinct custom modifications done by luthier Joe Glaser from Nashville. The most notable changes are in the pickups: Glaser replaced them with custom made hand wound P-90 style single coils and also fitted them with Lindy Fralin Steel Pole 43 Alnico V magnets, adding more clarity to the sound while preserving much of that classic Stratocaster twanginess.

The body was sanded down and painted black with white binding giving it an edgy and distinctive look; complementing perfectly that powerful tone emanating from those freshly installed pickups – no wonder why this axe soon became associated with one of Paramore’s greatest hits.

The Equipment Used in “Playing God”

Tim Henson’s performance of the single, “Playing God”, is unparalleled in both skill and style. To achieve this remarkable level of artistry, he used a combination of unique musical instruments and equipment. The core of his sound is achieved by playing on an Ibanez RGIX20FEQM-CBB Premium Electric Guitar, accompanied with an Orange PPC108 1×8″ Closed Back Extension Cabinet. To add to the depth and intensity of his piece, Tim also incorporated effects pedals from Source Audio SA182 Vertigo Tremolo Pedal and Digitech XP300 Space Station Multi-Effects Processor into his set-up. This diverse array of gear creates a truly distinctive soundscape that embodies the powerful energy behind “Playing God”. His signature tone further comes alive when paired with Marshall JVM205H Dual Reverb All Tube Amplifier Head – offering a perfect balance between clarity and heavy distortion. Each component provides its own unique contribution to the overall composition; together they create something special that stands out among other works in Tim’s repertoire.

Tim Henson’s Signature Ibanez THBB10 Black Baritone Guitar

When it comes to performing the hit single “Playing God,” Tim Henson’s signature instrument is none other than the Ibanez THBB10 Black Baritone guitar. This unique six-string behemoth boasts a distinctively heavy, low sound that perfectly suits Henson’s singing and riffing style. Its 29” scale length gives it a noticeably darker sound compared to its full-size counterparts, and its extended neck makes for an incredibly comfortable playing experience. The guitar also features dual humbucker pickups and custom inlays which give it a sleek look on stage.

In addition to producing unique sounds with this instrument, Tim Henson has also been known to utilize some of his own custom modifications such as adding mini toggle switches for extra tonal control and altering the pickup configuration with additional coils. These customization options allow him to craft tones that are uniquely his own while still taking advantage of all of the classic baritone qualities provided by this amazing piece of equipment.

The combination of these different aspects make the Ibanez THBB10 Black Baritone Guitar an ideal choice for any player seeking an intensely deep tone without sacrificing playability or visual appeal – both live and in studio recordings. It is no surprise why Tim Henson has chosen this one-of-a-kind axe as his go-to guitar when shredding through fan favorites like “Playing God” or performing epic solos on stage night after night.

Tips for Mastering the “Playing God” Riff

Learning to master the iconic riff of “Playing God” by Tim Henson can be an arduous process. To ensure you are playing it correctly and accurately, there are a few tips that will help make it easier.

The first tip is to start slowly when learning the song’s lead guitar solo. This allows for each note to be perfected before gradually increasing the speed of play. It also helps for memorization purposes, as each phrase should become second nature before attempting higher speeds. When practicing this way, take your time and don’t rush; accuracy is key here.

Another crucial tip is to use proper technique while playing the song’s solo parts. For example, when playing faster passages, try using alternate picking instead of strict downstrokes or upstrokes. Focus on developing good vibrato techniques such as string bending and releases in order to add dynamics and emotion into your performance.

Practice along with backing tracks that match the tempo of “Playing God”. Doing so can help develop better rhythm skills and improve timing when playing along with other musicians or bands during live performances or recording sessions. This way you won’t have any surprises come showtime.