Tim Henson primarily uses a Gibson Les Paul for his guitar playing. He is also known to use other Gibsons such as the ES-335 and SG models, as well as Fender Stratocasters. In addition to these guitars, Tim occasionally plays baritone and bass guitars on some of his recordings. He also owns a custom-made 7 string guitar that he often uses live onstage.
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Tim Henson’s Gear
Tim Henson has been playing guitar for the better part of two decades. He is known for his unique and sophisticated sound, which combines elements from a variety of genres such as jazz, blues, classical music and even EDM. His approach to guitar playing is characterized by its intricate fingerstyle technique and highly emotive melodies. To achieve this signature sound, Tim relies on specific gear that helps him craft his signature style.
The core of Tim’s tone comes from his Gibson ES-335 semi-hollow electric guitar, which he typically pairs with an array of pickups including vintage P90s or Seymour Duncan humbuckers in order to get the perfect amount of sustain and bite. In addition to these pickups, Tim also employs boutique effects pedals like Eventide Space Reverb or Strymon Timeline Delay units in order to craft lush textures and atmospheric sounds. He prefers using an Ernie Ball volume pedal in order to control the dynamics of his solos in real time with just one foot stomping motion.
When it comes to strings on his instrument of choice, Tim swears by Elixir Nanoweb Light Phosphor Bronze Strings as they offer a bright yet full tone that lasts much longer than other brands due to their patented anti-rust technology – something essential for musicians who often tour extensively throughout the year. All combined together gives him a unique sonic palette that helps him stand out amongst his peers whenever he takes the stage – allowing him to captivate audiences wherever he goes.
Overview of Tim Henson’s Style
Tim Henson’s playing style is distinguished by his signature sounds and sonic textures. As a multi-instrumentalist, Tim has an expansive knowledge of various instruments, but the guitar remains at the core of his music. He has been seen playing many different models over the years, as he looks to explore unique possibilities with each one.
The PRS SE Hollowbody II is one of his go-to guitars for live performances and recording sessions alike. His choice was inspired by both its aesthetically pleasing design and its versatile tonal characteristics. The hollow body allows for a wide range of frequencies, from bright highs to warm lows – something that comes in handy when performing complex chord progressions or lead solos. Moreover, it features coil splitting capabilities which gives Tim a range of sound options from vintage tones to modern shredding power.
Another favorite instrument in Tim’s arsenal is the Gibson SG Standard ‘61 Maestro Vibrola Reissue Electric Guitar. This classic model not only offers timeless aesthetics but also packs plenty of punch with its dual humbuckers pickups and versatile tone controls. Not surprisingly, this same setup can be found on many iconic records throughout history; thus making it perfect for recreating those classic sounds in both studio recordings and live performances alike – something that works perfectly for Tim’s style.
The Guitars in Tim Henson’s Arsenal
Tim Henson is a renowned guitarist, who has developed a unique style that combines elements of jazz fusion and progressive metal. He is widely known for his vast array of guitars that he uses to achieve the distinct sounds in his music. From electric hollow-bodies to Fender Jazzmasters, Tim’s arsenal of instruments is sure to have any guitar enthusiast drooling over its contents.
Tim primarily utilizes guitars from Fender Custom Shop such as the Stratocaster with custom “lollipop” humbuckers and a vintage vibrato bridge; and Telecaster Deluxe with triple pickups, locking tuners and compensated brass saddles. His go-to 6 string electric instrument is an early ‘70s Gibson SG Standard with P90 pickups in tobacco sunburst finish. When it comes to 7 string electrics, he prefers an Ibanez Prestige series model, fitted with Seymour Duncan Invader and Liquifire pickups – ideal for achieving crisp clean tones on one end and incredibly heavy distorted leads on the other. For acoustics, he mainly relies on a Taylor 814CE Grand Auditorium featuring solid spruce top and maple back & sides coupled with advanced Expression System pickup system.
On stage performances Tim regularly employs Line6 Variax 700 acoustic/electric guitar – allowing him to dial up various combinations of tonewoods right at his fingertips – but only until recently when he added something truly special into his inventory: The Gearless Mirabella Instrument Works Stratocaster Rival 604H – one off customized by John Suhr himself. Featuring neck thru design made out of mahogany body wings mated onto walnut center block accentuated by black limba veneer finished in shimmering blue sparkle paint job; this masterfully crafted workhorse is sure to become one of the trademark timbres in all new music by Tim Henson going forward.
Amplifiers and Effects Pedals Used by Tim Henson
When it comes to achieving the signature sound of prog-rock virtuoso Tim Henson, an arsenal of amplifiers and effects pedals is essential. With so many pieces of equipment at his disposal, it can be difficult to determine which ones he uses most often.
Fortunately, Henson has narrowed down his selection over the years, frequently relying on a Marshall DSL100H amplifier for his amplified guitar performances. He couples this tube amp with a plethora of boutique-style effect units from brands like Boss, Ibanez and more. His signal chain includes a Digitech Whammy V pedal for signature pitch shifting tones as well as a Dunlop Cry Baby Wah pedal for smooth tremolo effects. Henson’s setup includes classic analog stomp boxes such as an Electro Harmonix Big Muff distortion pedal and an MXR Carbon Copy delay unit for slapback textures.
To complete his sonic landscape during performances and recordings alike, Tim Henson also employs various rack mounted digital processors such as a Korg Kaoss Pad Effects Unit or Lexicon reverbs to add extra dimension and texture to the mix. These sophisticated tools provide him with plenty of creative possibilities when crafting intricate sounds that fans have grown accustomed too over the years.
Strings and Picks: What Does Tim Henson Prefer?
When discussing Tim Henson’s guitar setup, one of the most essential components is his choice of strings and picks. On the string side, he relies on Dunlop Electric Guitar Strings in gauges ranging from 0.09 to 0.46. The low E string is a light gauge 0.09, while the high E is a heavy gauge 0.46 for added durability and volume. For an electric guitar, this combination provides strong lows that don’t overpower with too much bottom end muddiness, as well as clear highs without being overly bright or trebly sounding. He also uses La Bella Deep Talkin’ Bass Strings for his bass guitars which gives them extra punch and clarity in both the studio and live settings.
For picks, Tim prefers Dunlop Tortex.60mm Standard Picks due to their sharpness and durability – perfect for fast soloing passages or driving strumming patterns during rhythm sections of songs – as well as Jazz III XL Nylon Standard Shape by Jim Dunlop which provide great articulation but also can dig into hard-driving riffs just enough when needed. Tim has experimented with different materials like tortoiseshell picks but finds that these two types serve him best consistently on stage and in the studio across all genres of music.
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